![]() There are more than a few continuities between Clams and the act that follows him on the blue stage. When the last track peters out completely, he shuffles offstage in silence. ![]() The sound cuts out before booming back in, and Clams is clearly having difficulties with his equipment. ![]() Still, there’s not much to look at, and things start to go a little funky towards the end of the set. The arms get more enthusiastic when Clams launches into familiar tracks like “Bass” (also for A$AP Rocky) and “I’m God” (for Lil B). Arms bounce gamely in the air as wave after wave of chilled out bass wafts out from the stage, punctuated occasionally by a chopped up vocal or particularly explosive beat. He says nary a word to the crowd, which doesn’t seem to mind much. ![]() Clams doesn’t reveal much: whatever clicking and dropping he’s doing to create those crushing, reverb-heavy beats is obscured behind a shrouded podium. This is clearly an artist used to being the man behind the curtain. The contrast between the exuberant party put on by the A$AP crew and Clams’ own performance couldn’t be starker though. ![]()
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